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Orig Ebert photo adapted Anne Ryan [USA Today] |
I'm willing to bet that if you mentioned the name Roger Ebert in most company in Australia, you'd get little sign of recognition, but he was one of the leading American lights in cinema criticism. Yet he was more than that. He was a fine writer in a much broader way, particularly on the great themes of life and mortality. He had to face the certainty of his own impending death from cancer (yes, another one!) and died less than three months ago at the age of 70.
The reason why he had to blog was that in 2006, "... complications from thyroid cancer treatment resulted in the
loss of his ability to eat, drink, or speak. But with the loss of his
voice, Ebert has only become a more prolific and influential writer."*
His best-known book is Life Itself. Earlier this month, the Brainpicker organisation published a series of excerpts, together with commentary, from the book. From this, I extracted the juiciest bits and even bold-faced several lines. I thought you might enjoy them, especially if you are a writer of any sort, or would like to be.
"RIP, Roger Ebert: The Beloved Critic on Writing, Life, and Mortality"
One of the rewards of growing old is that you can truthfully say you lived in the past. … In these years after my illness, when I can no longer speak and am set aside from the daily flow, I live more in my memory and discover that a great many things are safely stored away. It all seems still to be in there somewhere. … You find a moment from your past, undisturbed ever since, still vivid, surprising you.
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I remember everything. All my life I’ve been visited by unexpected flashes of memory unrelated to anything taking place at the moment. These retrieved moments I consider and replace on the shelf. When I began writing this book, memories came flooding to the surface, not because of any conscious effort but simply in the stream of writing. I started in a direction and the memories were waiting there, sometimes of things I hadn’t consciously thought about since.
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...the most useful advice I have ever received as a writer: ‘One, don’t wait for inspiration, just start the damn thing. Two, once you begin, keep on until the end. How do you know how the story should begin until you find out where it’s going?’ These rules saved me half a career’s worth of time and gained me a reputation as the fastest writer in town. I’m not faster. I spend less time not writing.
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My blog became my voice, my outlet, my ‘social media’ in a way I couldn’t have dreamed of. Into it I poured my regrets, desires, and memories. Some days I became possessed. The comments were a form of feedback I’d never had before, and I gained a better and deeper understanding of my readers. I made ‘online friends,’ a concept I’d scoffed at. Most people choose to write a blog. I needed to. I didn’t intend for it to drift into autobiography, but in blogging there is a tidal drift that pushes you that way. … the Internet encourages first-person writing, and I’ve always written that way.
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The blog let loose the flood of memories. Told sometimes that I should write my memoirs, I failed to see how I possibly could. I had memories, I had lived a good life in an interesting time, but I was at a loss to see how I could organize the accumulation of a lifetime. It was the blog that taught me how. It pushed me into first-person confession, it insisted on the personal, it seemed to organize itself in manageable fragments. Some of these words, since rewritten and expanded, first appeared in blog forms. Most are here for the first time. They come pouring forth in a flood of relief.
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If you pay attention to the movies they will tell you what people desire and fear. Movies are hardly ever about what they seem to be about. Look at a movie that a lot of people love, and you will find something profound, no matter how silly the film may be.
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RIP, Roger Ebert: The Beloved Critic on Writing, Life, and Mortality
My notes: Sunday, June 02, 2013, 05:48 AM